LORD YOUTH – lord youth EP – BRAND NEW CASSETTE TAPE
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“a songwriter of not inconsiderable talent… dark, ghostly gravitational downbeat etudes.”
Rolling Stone, Germany
Music as blue as the album’s cover. Like twilight, there’s a soft radiance in every dark corner. The voice dry as a rough red wine, bits of acoustic guitars, slide, twang and mallets all used sparingly. Ghostly keyboard sounds, like a flying curtain all over it. Poltergeist-drums; tick-tock percussion, like the sound from a broken grandfather clock, commemorating progressing time, just before or after witching hour.
Lord Youth appears as a laconic master of imagination, of the blue hour. Every now and then, Lord Youth speeds up the pace, like the wake-up call start of ‘Plastic Bombs’, the sketchy garage noise of ‘Moonbelly’, or the rough Americana rock’n’roll of ‘What’s That Sound’. Overall, this is a crystalline album permeated with undefined grief.
“Croons and wallows…a heart heavy set noir set in ghostly echo from a monochrome pop past, all tipped in a shadow lining parade of forgotten shanty-like gospels, and the shell piercing mournful classicism of a lost song craft.”… more
Rolling Stone, Germany
Music as blue as the album’s cover. Like twilight, there’s a soft radiance in every dark corner. The voice dry as a rough red wine, bits of acoustic guitars, slide, twang and mallets all used sparingly. Ghostly keyboard sounds, like a flying curtain all over it. Poltergeist-drums; tick-tock percussion, like the sound from a broken grandfather clock, commemorating progressing time, just before or after witching hour.
Lord Youth appears as a laconic master of imagination, of the blue hour. Every now and then, Lord Youth speeds up the pace, like the wake-up call start of ‘Plastic Bombs’, the sketchy garage noise of ‘Moonbelly’, or the rough Americana rock’n’roll of ‘What’s That Sound’. Overall, this is a crystalline album permeated with undefined grief.
“Croons and wallows…a heart heavy set noir set in ghostly echo from a monochrome pop past, all tipped in a shadow lining parade of forgotten shanty-like gospels, and the shell piercing mournful classicism of a lost song craft.”… more
credits
released September 1, 2017
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